Music Review: Sloppy Meateaters – Forbidden Meat

This review was originally posted on absolutepunk.net July 25, 2007. The album is still good, “So Long” remains great, and the female voice at the start of that song comes from John Carpenter’s horror film Christine.

If you dislike nasal vocalists like Tom DeLonge of blink 182 and Jordan Pundik of New Found Glory, stop reading right now, because you probably won’t appreciate Josh Chambers. Chambers is the vocalist/guitarist of the Sloppy Meateaters, a band out of Rome, GA that has flown quietly under mainstream radar and organized multiple DIY tours since its formation back in 1999. Chambers, along with bassist John Elwell and drummer Kevin Highfield, originally released Forbidden Meat in 2001. Now, more than five years later, the album holds strong as a treat for unabashed pop punk fans who prefer their singers complete with falsetto.

To re-establish how high Chambers’ vocals can get, one must look no further than the album’s second track, “Impossible.” He absolutely lets his voice fly during choruses, and it’s a fitting song to test whether or not the band will go over well with the listener. The following track, “Lonely Day,” is the catchiest of the album. With better production and more creative lyrics during choruses, “Lonely Day” sounds like a single that would click with high school kids across the country.

One of the most welcome surprises of Forbidden Meat is found on the track “Suddenly Forget”: Sloppy Meateaters have a bassist who actually does something besides stand on the sidelines with simple backing bass lines. Elwell picks up the slack from the lack of a second guitarist by controlling the rhythm alongside Highfield and even providing some solos. On that note, the band compliment each other very well as a three piece, and serve as a nostalgic reminder of blink 182’s early years.

Slowing things down to describe an inner struggle against apathy is “Give Me Something.” The song meanders until it finds direction in its interlude, and Chambers finds a simple, yet perfect way to describe his callousness – ‘Can life feel any better? / Can life feel any better? / I can’t feel anything.’ He quickly finds emotion again though with the bitter track “Things Are Gonna Change.” Chambers is full of hostility and comes out swinging as he sings, ‘Suppose you were half human and you thought with a brain / Suppose you heard the news that things are gonna change.’ He also expresses his frustration with religion on “Talkin About Jesus,” though it’s less a valid argument and more an adolescent rebellion against established power.

Though the songs leading up to it are good, even great, “So Long” trounces anything else on the album. A soft female voice claiming, “God, I hate rock and roll” begins the song, a ballad that could only have been crafted by a complicated young man. “So Long” is a letter of loving assurance to the unnamed female, and when that route fails, Chambers retorts, ‘Face it, you’re stuck with me / And all thirty / Personalities.’ It may be sappy, but it sounds sincere enough to be wonderful.

A central theme of Forbidden Meat is hopeful dreaming. Chambers passionately denies the trappings of a normal life and chooses to live by his lofty ambitions instead. At one point he seems to be pleading directly to the listener as he sings the lyric, ‘Can you see my face in lights?’ Sloppy Meateaters may not have received the success Josh Chambers always dreamed about, but Forbidden Meat is the kind of angst-filled, emotionally complex, and all together endearing album any up and coming band can take pride in.

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