Scene It, See It Again · TV

Scene It, See It Again: Better Call Saul – “Jimmy Ruins Chuck”

Inspired by the Ringer’s Rewatchables podcast, I present to you unforgettable scenes that demand repeat visits. The movies, shows, or books these scenes are part of don’t necessarily have to be all-timers. Even mediocre media can surprise us with a haymaker. That being said, these scenes only elevate their respective stories. Read below, then queue up the classic scene. Again, and again, and again.

The Better Call Saul courtroom battle between Jimmy and his big brother Chuck had been building for decades. Jimmy helped Chuck through his electromagnetic hypersensitivity (EHS), but Jimmy also sabotaged Chuck’s Mesa Verde paperwork. Chuck saved Jimmy from big legal troubles, yet Chuck undermined his little brother’s efforts to join HHM as a lawyer. In an earlier episode Jimmy discovered Chuck’s duplicitous nature, and Chuck equated Jimmy with a law degree to a “chimp with a machine gun.” There’s plenty of bitterness and anger to fuel both these characters.

Jimmy has everything to lose when he’s called to defend himself after breaking into Chuck’s house and destroying evidence. Jimmy’s livelihood is on the line, so he and Kim Wexler can’t pull any punches when Chuck is called to the witness stand (“Chicanery,” S03.E05). At this point Jimmy already knows that Chuck’s EHS is psychosomatic. Jimmy questions Chuck, and the sharp-minded Chuck senses a trap. Self-assured as always, Chuck grins and asks Jimmy if he’s hiding electronics in his pocket. Jimmy admits he has a cellphone, then he springs the trap – the cellphone battery had been in Chuck’s pocket all along, and he never sensed it.

When the bar association lawyer refers to Chuck having a mental illness, Chuck loses it. He shouts, “I am not crazy!” He rambles on about Jimmy swapping numbers on official documents, a billboard setup, Jimmy defecating through a sunroof, and Jimmy robbing their parents. Chuck sounds unhinged. And he’s right about everything. Every allegation he throws against Jimmy is truthful, but his delivery makes him look crazy and vindictive.

Though Chuck is a brilliant lawyer, he’s not a people person. Jimmy is the personable one, the favorite son and the popular co-worker. And it’s evident throughout the series that Chuck resents him for it. Jimmy outwits Chuck because Jimmy knows how to work people, for better and worse. The two brothers could have been an unstoppable team, but Chuck is too damn proud and Jimmy is too much of a conman.

A big reason I love this scene is both brothers are wrong in big ways. This isn’t a scene of a noble lawyer taking down a corrupt entity. Both characters are so human and so flawed. Chuck is a brilliant lawyer, but he’s never fully supported his little brother. Jimmy has great admiration for Chuck, but he bends and even breaks the law when it suits him. Neither brother is completely in the right.

This scene marks the end for Chuck’s career, his mental health, and his life. And the series never fully recovers from losing Chuck. The brotherly dynamic is more compelling than any drug war, because it’s a personal battle that ends in absolute tragedy. For as impressive as Bob Odenkirk is throughout Better Call Saul and Breaking Bad, this scene belongs to Michael McKean. He’s amazing as Chuck.

Best quote: “He’ll never change. He’ll never change… And he gets to be a lawyer? What a sick joke! I should’ve stopped him when I had the chance. You have to stop him.” The entire monologue is brilliantly delivered.

Movies · Scene It, See It Again

Scene It, See It Again: X-Men: First Class – “Magneto the Nazi Hunter”

Inspired by the Ringer’s Rewatchables podcast, I present to you unforgettable scenes that demand repeat visits. The movies, shows, or books these scenes are part of don’t necessarily have to be all-timers. Even mediocre media can surprise us with a haymaker. That being said, these scenes only elevate their respective stories. Read below, then queue up the classic scene. Again, and again, and again.

X-Men: First Class isn’t perfect, but it reset the X-Men movie franchise in a big way, recruiting talented young actors like Michael Fassbender and Rose Byrne. Sadly, the rebooted franchise sputtered out and fell back on Hugh Jackman’s Wolverine to remain relevant. That disappointment can’t take this scene away from us, though.

Erik Lehnsherr (later known as the supervillain Magneto) had everything taken away from him in the Holocaust. The man he blames the most is his fellow mutant Sebastian Shaw. Erik journeys to an Argentinian bar and finds two German men connected to Shaw. Then the fun begins.

There’s so much I love about this scene. The Germans are jovial until Erik points out his parents didn’t have names, only numbers. The musical score is absolutely perfect, a slow build with a percussive flourish as Erik reveals his own number. In a short three minute scene the characters speak three different languages: greetings in Spanish, the reveal in German, and Erik’s motivation in English (Fassbender makes the Frankenstein line sound so sinister). My favorite part of the hunt is Erik could easily kill all three men using his mutant powers, but instead he blocks a knife attack and disarms the pig farmer using physical prowess.

Here’s something I didn’t think about until writing this feature – Erik is not the aggressor in this fight. That sounds untrue considering all the killing he does. But watch the scene again. Erik talks about his tragic family history, shows his number, and he’s attacked. Sure, he might have killed these Nazi bastards regardless, but that’s beside the point. Speaking of Nazi bastards, this is only one of two Nazi killing bar scenes Fassbender has been a part of. The Inglourious Basterds scene is more bloody and brutal (it’s Tarantino, natch), but Fassbender doesn’t make it out of that one alive. Though I enjoy X-Men: First Class, I’d prefer a Magneto film focused solely on retribution. I could watch Fassbender hunt Nazis all day.

Best quote: “Blood and honor. Which would you care to shed first?”

Book Reviews

Book Review: Chris Ware – Rusty Brown

I received Rusty Brown as a Christmas gift from my wife. The book is an awkward, heavy rectangle that juts out of my bookcase. Before opening it up I knew nothing about its titular character or the author Chris Ware. When I sat down to read the book I thought, okay, this is about a funny looking kid who’s the class outcast. Now here’s a new girl at school that misses her best friend. Wait, this book is also about a burnout kid’s whole life?

I definitely didn’t expect all this. Rusty Brown is about isolation, self-destruction, sexism, racism, family dysfunction, and life in general. It evokes suburban tales like American Beauty and The Wonder Years, but without any kind of candy coating or overarching moral judgement. Life simply happens, and the characters influence their own lives in both positive and negative ways.

The characters and stories feel real and grounded, due in large part to the Omaha, Nebraska setting (the same place Ware grew up). Mundane rituals mix with signifiant happenings to create an experience that can be uncomfortably personal. The colorful pop art style and cartoony characters belie the complex themes and sometimes graphic events. Watching a little boy flee his abusive father is all the more horrific because the same art style could be used for a Family Circus type of story.

The more I read Rusty Brown, the more I wanted. It reminded me of reading Maus or Watchmen for the first time. The works have little in common aside from the fact they are all unique art pieces that showcase the graphic novel medium. In case I haven’t been clear enough, Rusty Brown is a must-read. Also, I discovered that Rusty Brown and Maus do share a connection. Many years ago Art Spiegelman invited Ware to contribute to Raw magazine, helping Ware move forward as an artist. Game recognize game.

Music · Music Reviews

Music Review: Kanye West – My Beautiful Dark Twisted Fantasy

I looked through my last.fm top albums of all time and noticed My Beautiful Dark Twisted Fantasy at number 16. I’m surprised it’s not higher. I played the hell out of this album in 2010 and on into 2011. My Beautiful Dark Twisted Fantasy is peak Kanye West. It’s the closest we can come to peeling back the celebrity layer to party with the man underneath. All the pomp, the debauchery, the ego, the vulnerabilities, the unbridled aggression, the rap royalty. It’s all here, and it’s all for us.

Feeling feral? Transform into a “Monster” that Frankenstein would flee from.

Feeling disheartened? “Runaway” is one for the scumbags.

Feeling yourself? Embrace “Power” and don your superhero cape.

Want a banger? Take your pick.

For as low as Kanye’s reputation can sink – remember, President Obama once called him a “jackass” – this album is proof he can play well with others. With My Beautiful Dark Twisted Fantasy Kanye brought together many voices and various genres to blend together some of the best rap music of the past couple decades. The album fizzles out a bit at the end with “Lost in the World” and “Who Will Survive in America,” but let’s forgive that because “Blame Game” is great and so is Chris Rock’s spoken word contribution. Today My Beautiful Dark Twisted Fantasy remains legendary while Kanye continues to flirt with infamy. What more can we expect from a man obsessed?

Video Game Reviews

Video Game Review: Golf Story

Everyone is the hero of their own story, but no one believes in your Golf Story protagonist. The plucky hero dreams of golf glory, and despite conquering different courses, no one is convinced of his talent. It’s great. Far too often NPCs swoon in awe of a game protagonist, and it’s refreshing (and funny) to see so many characters brushing aside your golfer.

Indie games often attempt to impress gamers with humor, and that humor often comes across as forced. Golf Story doesn’t fall into that trap. There are disc golf weirdos, the uninspiring coach makes awkward sexual advances toward his crush, and I love the rival Lara. She’s April Ludgate with the aggression meter cranked up, constantly throwing shade. The plot of Golf Story is nothing special, but the game’s bright environments, fun tone, and colorful characters make it a lovely little world to visit. Oh yeah, and the golf is real fun too. The game mechanics should be familiar to anyone who has every played Mario Golf or Hotshotz Golf. Adjustable attributes like power and spin combined with special golf clubs allow the player to make tactical choices. The gameplay is just the right amount of goofy. Golf balls can be carried off by moles, and they can bounce high off of ice, but piranha plants don’t block your shots.

If there’s one feature missing from Golf Story, it’s more versus challenges. Playing against a score card isn’t nearly as fun as beating individual players (especially if they’re talking shit). In one competition you’re forced to pair with an elderly man for a two vs. two game, and he sucks. But compensating for his weak shots makes the victory all the sweeter. One other critique – most golfers you play against commit regular errors, making the game easier than I’d like.

Side mission lists in a game can be annoying or overwhelming, but I would have liked one in Golf Story. I didn’t want to miss any of the fun. Golf Story is part golf simulator, part RPG, and an all-around enjoyable adventure. I’m highly anticipating the Sports Story sequel. I hope Lara shows up for it.

Product Reviews · Video Game Reviews

Product Review: Nintendo Switch

In 2018 I wrote a review for Breath of the Wild that included this statement: “I don’t care about the Nintendo Switch’s portability (I prefer using a TV screen), and I probably won’t buy more than a handful of games for the system.” Times have changed. In the past few months I’ve played through half a dozen Switch games (Golf Story, Inside, Super Mario Odyssey, and so on), and I’ve completed most of those with the Switch in portable mode. The Switch is a kick ass console.

I still enjoy playing games on a big screen, but the convenience of picking up the console and playing in different rooms can not be understated. In portable mode it’s so easy to jump into a game like Bad North and defend a couple islands before putting the console to sleep with the push of a button. I didn’t think the joy-cons would feel very comfortable, but I have no problem with them; the Switch batteries always drain before my hands complain. So yeah, the console’s battery is not great, only lasting two to three hours. That’s why I said it’s great to take it to different rooms in a house, because the dock is nearby for a quick charge. A console like the 3DS is better suited for longer travels.

Most games nowadays are available across multiple platforms, so the console wars are much less of an issue than they were 20 years ago. Cutting edge graphics are the least of my gaming concerns; Sony and Microsoft can keep that war raging. The Switch graphics look good to me, and when it comes to exclusive titles, Nintendo has the one-two punch of Mario and Zelda. That’s a tough combo to beat. I’m also a big fan of the Switch pro controller – it’s almost as good as an Xbox controller and better than a Playstation controller. I’ll keep supporting Sony so long as they keep making excellent Spider-Man games, but my heart is with Mario and his pals.

The new OLED Switch screen looks fantastic, but I’m in no hurry to upgrade. My original gray and black model is a solid piece of hardware, which makes sense considering Nintendo’s history of building long lasting, durable products. The Lite model seems like a misstep, though. The Switch is a beautiful marriage between Nintendo’s home consoles and portable consoles, so why limit a gamer to just half the experience? After I’m done with this review I’m going to wake up my Switch so I can continue battling pixelated vikings. And after that the e-shop has much more to offer. Considering the quantity and quality of games available (including historic classics with the online membership), the Nintendo Switch may be the best console ever made.

Key Characters · Movies

Key Character: Captain America (MCU)

We all have favorite fictional characters. They can be inspirational, sagacious, heroic… or they can be relentless villains who are just so damn charismatic. In this feature I celebrate fictional characters who make their worlds much fuller.

All due respect to Iron Man and Thor, but I’m a Captain America guy. Some people consider the character bland or old-fashioned. Chris Evans himself felt reluctant about picking up the shield and representing an original American icon. I’m sure glad he took the role, though. Evans’s version of Cap is humble, empathetic, tough as nails, and a leader through and through. The other Avengers are cool and all, but Cap is the one guy I’d want backing me up in a fight.

Before beefing up with the super soldier serum, Steve Rogers felt the call of duty. He tried his best to sneak into the military during WWII despite his status as a “90 pound asthmatic.” In basic training Rogers showed his intelligence (why climb a slick flag pole when you can just unbolt it?) and an undeniable mettle. Most recruits leapt away from what they thought was a live grenade. Rogers covered the grenade with his small body and warned everyone away. Rogers has an innate desire to protect others, and he’s willing to sacrifice himself to do so. He’s special with or without a serum.

It says a lot about Cap that his weapon of choice is a shield. He’s a defender, and he stands up for what’s right even when it creates powerful enemies (including half the Avengers and the US Government). It’s easy to start a fight against someone you know you can beat. It’s much more difficult to take on an opponent who could beat you into oblivion. But I get the sense Captain America prefers to fight those out of his weight class. He spent most of his life being outmatched, so that’s where he’s most comfortable. Perhaps the most amazing aspect of Cap is his moral compass. Power has a corrupting effect on humans; that’s beyond debate. But Cap never abuses the power of the serum. He has the same good heart he always did – the serum just gives him better odds in a brawl.

There are so many awesome Captain America moments to gush over. He broke up a fight between a metal man and demigod using only his shield. He went hand-to-hand against the Winter Soldier in a superbly choreographed battle straight out of a Bourne movie. He perplexed Thanos by holding back the fabled Infinity Gauntlet, if only for a moment. Then there’s the big one. Captain America saving Thor and becoming a thunder god is an unforgettable cinema moment, right up there with the emergence of the T-rex in Jurassic Park. I watched The Avengers: Endgame with a smaller theater audience, but when Cap proved his worthiness and picked up Mojiner, the room erupted with cheers and applause. We all knew we’d witnessed something special. Captain America called down the lightning and paid off decades of comic book history while simultaneously making movie history.

Captain America creates the perfect bridge between grounded hand-to-hand combat and galactic throw downs. And at the end of the day he’s just a kid from Brooklyn doing his best (and saving the universe). He may be old fashioned, but pushing back against bullies is never out of style. That sounds like a lame PSA, doesn’t it? That’s alright; I think Cap would appreciate it.

Movie Reviews · Movies

Movie Review: Warrior

I could have sworn I’d written a review for Warrior on a previous blog, but I couldn’t find any evidence of it. No big deal. I rewatched the movie recently, and it’s still fantastic. The plot can be shaky, with two amateur fighters somehow managing to find themselves in an MMA tournament alongside the best fighters in the world. Regardless, the characters and beatdowns make Warrior one of the great sports movies of the past few decades.

Brendan (Joel Edgerton) and his little brother Tommy (Tom Hardy) are estranged and couldn’t be more different. Brendan is a school teacher who can take a beating and surprises his opponents with submissions. Tommy is a stoic Marine who brutalizes anyone and everyone he fights. They’ve both made mistakes in life, and their alcoholic father (Nick Nolte) knows plenty about regret. I appreciate that the boys’ history isn’t told in flashbacks; it reveals itself naturally through conversation. It’s easy to understand and empathize with the characters, and most of the conflict is based on years of physical and emotional pain.

I should point out I don’t care much about MMA or the UFC. I’ll happily watch a good fight while sitting at a bar, but I couldn’t tell you much about the sport or its stars. On the other hand, I love the battles of Warrior. Watching Tommy beat down Mad Dog doesn’t get old. Then we have the unbeatable Koba, played by one of my favorite WWF wrestlers, Kurt Angle. The first time I watched Warrior, I eagerly anticipated the fight between Tommy and Koba. It would have been like watching a classic Godzilla vs. King Kong flick. Instead it’s Brendan who must survive a match against Koba. And Brendan’s tenacity, inventiveness, and unwillingness to break a vulnerable Koba make him someone to stand up and cheer for.

Without its emotional core and family tension, this movie would be forgettable. And without the well choreographed and exciting fights, it would be a failure as a sports movie. Warrior uses its strengths to tell a moving story about family and forgiveness. Sure it carries its share of sports movies cliches, but there are few movies that can match the catharsis of watching two brothers mend their relationship by beating the hell out of each other.