TV Review: The Spectacular Spider-Man

I searched “best spider-man tv shows of all time” and one result regularly topped the lists – The Spectacular Spider-Man. I’d heard good things about the series before (it was originally released in 2008), but I never bothered checking it out. Now I’ve watched both seasons, and I’m impressed. 

The Spectacular Spider-Man retreads ground so old its foundation was laid by comic book legends Stan Lee and Steve Ditko way back in 1962. That’s not necessarily a bad thing. The series skips any sort of origin episode and leaps right into Peter Parker juggling super hero antics and high school teenager drama. It’s a formula that works well throughout the series – Peter’s life is often just as interesting (if not more so) than Spidey’s. Peter, like most high school boys, is a fool. He belongs with Gwen Stacy, but dates Liz Allan and pines for Mary Jane Watson. C’mon man, get your life together.

A hero is only as good as his villains, and the series mostly succeeds in throwing compelling enemies at Spider-Man. Doctor Octopus creating super-powered rogues to compete against Spidey is a nice twist, and it makes sense for common criminals to feel a desperate desire to knock Spider-Man down a peg or two. The guy constantly pokes fun at them while webbing them up. I especially enjoy Spidey’s banter with Kraven the Hunter. Kraven wraps Spider-Man in a bear hug and says, “Be still. The noblest prey ends the hunt in silent dignity.” Perplexed, Spider-Man responds, “Prey? Silent? Dignity? Ah, you don’t know me at all!”

It’s also nice that Spider-Man regularly defeats his enemies using guile. Rhino outclasses Spider-Man in strength, so Spidey lures him down to the sewers and uses stream to overheat the sweating Rhino. Brains beats brawn. The only villain that falls somewhat short is Green Goblin. The Goblin is one of Spider-Man’s greatest foes because he terrorizes both Spider-Man and Peter Parker. The Spectacular Spider-Man gives Venom that role (which works well, no complaints there) while the Goblin’s story revolves around the mystery of his identity. The mystery gets old fast. But it’s easy to forgive that when the series also treats us to an epic Sinister Six battle in “Group Therapy” in which the symbiotic suit wrecks shop, treating the Vulture and Shocker like play toys. The fight choreography and battle scenes are excellent throughout the series.

I mentioned Spidey’s banter with Kraven, and what really sells that banter is voice actor Josh Keaton. Keaton is an excellent Peter Parker/Spider-Man, embodying the joking nature of the hero and delivering during the more serious moments. After Sandman sacrifices himself by absorbing an oil tanker explosion, Spider-Man is impressed to say the least. He says, “You wanted a big score, Marko? Far as I’m concerned, you just scored about as big as a man can.” The line works thanks to Keaton’s earnestness.

There’s a lot to like about The Spectacular Spider-Man. Watching Peter Parker and his buddy Harry try out for the football team, Venom acting like the petty kid he is, Spidey battling the Lizard at the zoo – it’s all engaging and fun. It’s a damn shame the series never received a proper ending. The showrunners deserved at least a couple more seasons to wrap everything up. If it ran for more seasons, I’m sure it could overtake my personal favorite Spidey show, Spider-Man (1994). Speaking of which, that 90’s theme song still kicks ass.

Top Ten: Spider-Man Costumes

I’ve been planning this feature for years. Spider-Man is my favorite superhero, and he’s worn plenty of iconic costumes throughout his history. Before jumping ahead, let’s establish some ground rules. First, the costumes on the list must be unique, not slight variations of other costumes. Only suits worn by characters identifying as Spider-Man are in consideration. If I opened up the list to Spider-Woman, Jessica Drew’s costume from the Ultimate universe would be a real contender (consider it a future Top Ten idea). Finally, the costume must be important enough to have multiple high quality images available online. The Bullet Points costume may have made this list, but it’s been sparingly used by Marvel. Here are some other honorable mentions that almost made the cut: Kaine, Iron Spider, Stealth Suit, MK3, and Bombastic Bag-Man. Alright, with the preamble out of the way, here are my favorite Spidey suits.

10. Programmable Matter Suit – First Appearance: Spider-Man: Miles Morales (2020)

This is the only costume on this list that doesn’t have a comic book origin. I haven’t yet played Spider-Man: Miles Morales (I will eventually), so I can’t say much about the suit’s backstory. But whoa, the programmable matter suit is killer. Its blocky design makes it look 8-bit inspired, and I’m into the idea of a Spider-Man that glows while he’s kicking butt. Red and black is a winning color combo, and you’ll see more of it as we continue along.

09. Captain Universe – First Appearance: The Amazing Spider-Man #329 (1990)

This pick doesn’t seem all that fair. It’s just a Captain Universe suit featuring a splash of Spider-Man’s mask. But I love it. I’m a fan of Marvel’s cosmic stories, and Spider-Man’s Captain Universe costume somehow manages to be both outrageously goofy and flamboyantly cool. I want to see this version of Spider-Man fighting alongside Nova in outer space. The Miles Morales version of this suit might look even better.

Book Review: Chris Ware – Rusty Brown

I received Rusty Brown as a Christmas gift from my wife. The book is an awkward, heavy rectangle that juts out of my bookcase. Before opening it up I knew nothing about its titular character or the author Chris Ware. When I sat down to read the book I thought, okay, this is about a funny looking kid who’s the class outcast. Now here’s a new girl at school that misses her best friend. Wait, this book is also about a burnout kid’s whole life?

I definitely didn’t expect all this. Rusty Brown is about isolation, self-destruction, sexism, racism, family dysfunction, and life in general. It evokes suburban tales like American Beauty and The Wonder Years, but without any kind of candy coating or overarching moral judgement. Life simply happens, and the characters influence their own lives in both positive and negative ways.

The characters and stories feel real and grounded, due in large part to the Omaha, Nebraska setting (the same place Ware grew up). Mundane rituals mix with signifiant happenings to create an experience that can be uncomfortably personal. The colorful pop art style and cartoony characters belie the complex themes and sometimes graphic events. Watching a little boy flee his abusive father is all the more horrific because the same art style could be used for a Family Circus type of story.

The more I read Rusty Brown, the more I wanted. It reminded me of reading Maus or Watchmen for the first time. The works have little in common aside from the fact they are all unique art pieces that showcase the graphic novel medium. In case I haven’t been clear enough, Rusty Brown is a must-read. Also, I discovered that Rusty Brown and Maus do share a connection. Many years ago Art Spiegelman invited Ware to contribute to Raw magazine, helping Ware move forward as an artist. Game recognize game.

Key Character: Captain America (MCU)

We all have favorite fictional characters. They can be inspirational, sagacious, heroic… or they can be relentless villains who are just so damn charismatic. In this feature I celebrate fictional characters who make their worlds much fuller.

All due respect to Iron Man and Thor, but I’m a Captain America guy. Some people consider the character bland or old-fashioned. Chris Evans himself felt reluctant about picking up the shield and representing an original American icon. I’m sure glad he took the role, though. Evans’s version of Cap is humble, empathetic, tough as nails, and a leader through and through. The other Avengers are cool and all, but Cap is the one guy I’d want backing me up in a fight.

Before beefing up with the super soldier serum, Steve Rogers felt the call of duty. He tried his best to sneak into the military during WWII despite his status as a “90 pound asthmatic.” In basic training Rogers showed his intelligence (why climb a slick flag pole when you can just unbolt it?) and an undeniable mettle. Most recruits leapt away from what they thought was a live grenade. Rogers covered the grenade with his small body and warned everyone away. Rogers has an innate desire to protect others, and he’s willing to sacrifice himself to do so. He’s special with or without a serum.

It says a lot about Cap that his weapon of choice is a shield. He’s a defender, and he stands up for what’s right even when it creates powerful enemies (including half the Avengers and the US Government). It’s easy to start a fight against someone you know you can beat. It’s much more difficult to take on an opponent who could beat you into oblivion. But I get the sense Captain America prefers to fight those out of his weight class. He spent most of his life being outmatched, so that’s where he’s most comfortable. Perhaps the most amazing aspect of Cap is his moral compass. Power has a corrupting effect on humans; that’s beyond debate. But Cap never abuses the power of the serum. He has the same good heart he always did – the serum just gives him better odds in a brawl.

There are so many awesome Captain America moments to gush over. He broke up a fight between a metal man and demigod using only his shield. He went hand-to-hand against the Winter Soldier in a superbly choreographed battle straight out of a Bourne movie. He perplexed Thanos by holding back the fabled Infinity Gauntlet, if only for a moment. Then there’s the big one. Captain America saving Thor and becoming a thunder god is an unforgettable cinema moment, right up there with the emergence of the T-rex in Jurassic Park. I watched The Avengers: Endgame with a smaller theater audience, but when Cap proved his worthiness and picked up Mojiner, the room erupted with cheers and applause. We all knew we’d witnessed something special. Captain America called down the lightning and paid off decades of comic book history while simultaneously making movie history.

Captain America creates the perfect bridge between grounded hand-to-hand combat and galactic throw downs. And at the end of the day he’s just a kid from Brooklyn doing his best (and saving the universe). He may be old fashioned, but pushing back against bullies is never out of style. That sounds like a lame PSA, doesn’t it? That’s alright; I think Cap would appreciate it.

Movie Review: Eternals

Eternals is fascinating. It it feels like a religious epic, it explores philosophical themes of morality, and it’s been been savaged by professional critics (it’s the worst reviewed MCU movie). The critics are wrong. Eternals has enough issues to keep it out of the MCU top tier, but it is far from the worst Marvel movie.

Perhaps the most impressive feat of the movie is it introduces a plus-sized superhero team and turns most of them into rounded characters, all without the benefit of tie-in media. It’s also beautifully shot, and I’m glad I watched it in theaters. Witnessing a massive celestial holding a tiny eternal within its palm took me back to the wonder of gargantuan statue Talos chasing humans in Jason and the Argonauts (1963). Jack Kirby’s cosmic imagery mixes so well with Chloé Zhao directorial eye.

Eternals is a story of demigods, and all of them are imperfect beings. The movie is at its best when it lives in the gray area, when team members argue and fight about the best course for humanity. The razing of Tenochtitlan splinters the group, and the classic Marvel formula is complicated by characters who question their purpose. The deviants – ancient enemies of the eternals – almost achieve a level of complexity as well; sadly in the end they simply become something to punch.

If it hasn’t been made clear, I love Greek mythology and human myths in general, so Eternals lines up well with my interests. That being said, the movie is overly long, and the multiple flashbacks bog down the forward momentum of the narrative. And as cool as it is to have a deaf superhero, Makkari (Lauren Ridloff) is much too invisible before the climactic battle.

I wish this movie leapt to the top of the MCU rankings. No other Marvel movie has captured the heartbreak of humanity so beautifully and tragically (I’m thinking of both the Tenochtitlan and Hiroshima scenes). And watching demigods/angels choose the fate of humanity is a tale that’s ages old. But there’s always the sequel. The real test for Eternals will be whether or not there will be significant repercussions for the heroes’ decisions and disobedience. Now we have the perfect setup for a galactic threat like Annihilus to come forth and confront those who dared to deprive billions of lives to save one species. That’ll be a fight worth watching.

Book Review: Brian K. Vaughan – Ex Machina

Brian K. Vaughan is my favorite comic book writer, and that’s saying something when writers like Alan Moore exist. BKV has received lots of positive attention for books like Y: The Last Man and Saga, but Ex Machina doesn’t get talked about much. Let’s change that right now by diving into the story of Mitchell Hundred, aka “The Great Machine.”

Ex Machina has one of the best comic book hooks I’ve ever heard – the world’s only superhero saves the second tower on 9/11 and thereafter becomes the mayor of New York City. Before the story proper begins, a mysterious object explodes in Hundred’s face, and he becomes a bumbling superhero who can speak to machines and control them to a certain extent. Though he’s a pitiful superhero, the publicity of 9/11 is enough to win him the mayor job (unless he rigged the election… it’s one of the lingering and intriguing questions of the story). Ex Machina follows Mitchell’s time in office, and it’s interspliced with flashbacks of his jetpack misadventures.

Tony Harris’s art is fantastic when depicting action scenes, and it makes the political conversations – of which there are many – much more interesting. Moreso than the art, the origin of Hundred’s powers and the reckoning they foreshadow are my favorite part of the book. Despite how often he uses them, Hundred is completely disinterested in his powers, but the more we learn about them, the more frightening they become. The flashbacks to 9/11 are also quite affecting. The tragedy of 2001 was a personal event for BKV, and the references to Hundred’s PTSD are haunting. Seeing a panicked Hundred trying his best to catch people falling from a crumbling building, knowing he will surely fail in catching everyone, are the kind of comic panels that stick with a reader.

The politics aren’t my favorite part of Ex Machina, but that doesn’t mean they’re not appealing in their own way. Sure, some of the political debates may seem dated now (e.g. gay marriage). But without the politics, we wouldn’t witness the political machine grinding Mayor Hundred into a worse version of himself throughout his time in office. I won’t spoil the ending here; suffice to say Hundred’s best friends are not campaign contributors by the closing issue.

Science fiction is one of my favorite genres, and the way it bleeds its way into Ex Machina is fascinating. I won’t say it’s “realistic” (that’s a bridge too far when a man flies around like the Rocketeer); the build up is gradual though, so the wild revelations make sense within the context of the story. There’s no Twilight Zone quick twist, more like gradual waves of uneasiness and nightmares preceding the demons. Ex Machina isn’t as fun of a romp as Y: The Last Man, and it’s not as addicting as Saga, but its well deserving of a read.

Video Game Review: Spider-Man

Just like I got a Nintendo Switch strictly to play Breath of the Wild, I bought a Playstation 4 to play Spider-Man. In fact, I managed to snag the red PS4 special edition with the huge white spider logo slapped on it, and it looks slick. After spending hours completing every side mission and churning through the DLC, I’m happy to say that Spider-Man took the best parts of the classic Spider-Man 2 game (released way back in 2004) and improved on its weaknesses.

Spider-Man is a combination of Spider-Man 2 and the Batman Arkham games sprinkled with familiar, sometimes boring side missions copied from games like Assassin’s Creed. Even if some of the side missions aren’t exciting, web slinging around New York is enjoyable enough to forgive bland missions. Seriously, launching Spidey through the air and threading the needle through tight spaces at high velocity is terrific. Similar to the web slinging, the combat is fluid and varied. I never blamed the game when I failed in a fight, and when I fell into a good rhythm the streets of New York would be littered with webbed up criminals.

Although high end graphics are usually secondary to me when it comes to video games, Spidey looks amazing in this game. It’s clear that the designers took pride in crafting every costume, and I even found myself using costumes I don’t care that much about (Scarlet Spider, Secret War) because they look so cool in-game. The only problem is there are so many impressively designed suits and I could only wear one at a time.

I knew webslinging would be fun, but surprisingly, the story is the most impressive part of Spider-Man. Like the classic Marvel comics, Peter Parker has to balance crime fighting, finances, and family obligations. Mixed in with old tropes are new versions of Mary Jane and Aunt May (the best we’ve ever seen), sympathetic villain Martin Li, as well as a good kid named Miles Morales. There’s also Doctor Octavius, Peter’s mentor, who might be the most fleshed out villain I’ve ever encountered in a video game. The characters drive the story and inject it with life.

When I was about halfway through Spider-Man I realized something: this feels like being in a comic book! Whether I was slinging across the Upper East Side to meet Aunt May at the community center or dodging Electro’s blasts hundreds of feet in the air, I was immersed in the game and felt like the friendly neighborhood Spider-Man. One of the only real flaws I found is in the title. “Spider-Man” is good, but adding an adjective like “Sensational” would be more fitting.

Book Review: Stan Sakai – Usagi Yojimbo: The Special Edition

I first met rabbit samurai Miyamoto Usagi while watching the ‘80s Teenage Mutant Ninja Turtles cartoon. It wasn’t until many years later that I discovered he wasn’t just a friend to the turtles, but an original character with his own comic series. Stan Sakai started the Usagi Yojimbo series in 1984, and The Special Edition collects the first seven volumes.

Usagi is a rōnin (masterless samurai) who wanders a fantastical Feudal Japan full of anthropomorphic animals, finding adventure along the way. Sakai’s art style is pleasantly cartoonish, even when characters are being stabbed or beheaded. It’s an odd contradiction, but it works very well. Plus, little details are fun to find; in one panel corner a lizard catches sight of an approaching conflict, and in the next panel the lizard flees in fear. The Special Edition tells short, self-contained stories while introducing recurring characters who work to assist or hinder Usagi. For example, if Usagi duels and defeats an enemy in one issue, that same antagonist is likely to pop up in a later issue looking for revenge. Sakai strikes a perfect balance between serialization and simplicity.

Many of the stories in The Special Edition are about good versus evil, but the gray areas are the most intriguing. In one story Usagi escorts an older woman to her home village where he finds that the cruel village leader is the woman’s son. The woman, aware of how the villagers are suffering under tyranny, pleads with Usagi to kill her son. I won’t spoil the ending, but the conflict tests Usagi’s morality and it is a must read. Usagi’s antagonists can also be sympathetic, changing over time and even helping Usagi when they could just as easily kill him.

Reading through The Special Edition I grew to care about Miyamoto Usagi, and I still want more stories even after completing the large volume. So I’ve already bought the next four volumes, and I’m looking forward to reading more of Usagi’s journey until he (hopefully) is able to settle down to a peaceful life.