Best Eps: The League – “The Kluneberg”

In this feature I take a look at one episode that marks a high point in a television series. It’s not necessarily the absolute best a series has to offer (that’s always debatable), but it’s an episode that remains lodged in memory long after I first watched it.

An improvised comedy about a fantasy football league might not sound too enticing on paper, but the first couple seasons of The League are very entertaining. And when used sparingly, Rafi (Jason Mantzoukas) is absurdly hilarious and the show’s funniest character. Combine a coked up Rafi with Andre’s terrible taste in overpriced art and you have a recipe for disaster in “The Kluneberg.”

Rafi is convinced he’s best friends with the guys of the league, despite the fact he is clearly despised by them. The guys think the best way to get rid of Rafi is to break up the league itself by way of a fake fight between Pete and Andre. The fake fight turns too real for Andre (and Rafi tries to turn the fight more real by tossing a butter knife into the mix), and the only way for Pete to bring Andre back into the fold is by saying he loves Andre’s shitty Kluneberg painting. It’s always fun to see a delusional Andre think he’s bonding with one of his buddies.

“The Kluneberg” features surprising character moments that are as funny as they are unexpected. Ruxin reveals he’s not allowed to defecate at home due to strict house rules. Andre pushes his homemade hummus on his guests during an intervention and almost gets into another fight because of it. Jenny is unable to seduce sex addict Russell, who would rather fantasize about artichoke alien breasts. Andre struggles to blow out a candle while attempting to appear sinister. Well, that last one isn’t unexpected given Andre’s innumerable failures.

But this episode is all about the twist ending with all storylines converging in an unholy union. Drunk Rafi scratch and sniffs coke off of Taco’s toilet seat (yeah), which leads to him destroying the $25,000 Kluneberg in an excitable rage. The guys follow Rafi downstairs only to find Russell the sex addict’s car shaking. Thinking his wife is getting serviced by Russell, Kevin throws open the door, and the guys are witness to Rafi getting rammed from behind by the sex addict. It’s not a pleasant sight for the guys, but it’s funny as hell for the viewer. Rafi isn’t lying when he says, “Some things you can’t unsee, bro.”

Other Best Eps candidates: “Ghost Monkey,” “Kegel the Elf,” “Thanksgiving”

Best Eps: The Wonder Years – “Coda”

In this feature I take a look at one episode that marks a high point in a television series. It’s not necessarily the absolute best a series has to offer (that’s always debatable), but it’s an episode that remains lodged in memory long after I first watched it.

“When you’re a little kid, you’re a little bit of everything – artist, scientist, athlete, scholar. Sometimes it seems like growing up is a process of giving those things up, one by one.”

There will always be a special place in my childhood memories for The Wonder Years. I grew up with Kevin Arnold, faced the same adolescent challenges that he did, and when he struggled, I empathized. There are many Kevin Arnold moments I remember, but after re-watching the entire Wonder Years series a few years back, it’s “Coda” that stood out sharply. Like so many episodes of The Wonder Years, “Coda” has a tone of bittersweet nostalgia, and the episode begins and ends with a sunset representing the hobbies and passions lost along the path to adulthood.

When Kevin tries to quit his piano lessons, his teacher Mrs. Carples is not pleased. Mrs. Carples (played wonderfully by Maxine Stuart) is a chain-smoking, perceptive, honest, and supportive teacher who truly believes in Kevin’s innate musical ability. Kevin argues that he’ll never play the piano as perfectly as his robotic peer, Ronald Hirschmuller. Mrs. Carples scoffs at this, saying, “You have more talent in your little pinky than Ronald Hirschmuller has in his whole body.” More importantly, she teaches Kevin that music isn’t about competition, it’s about feeling the music and interpreting it in your own way.

So Kevin spends hours practicing for the annual piano recital, and Mrs. Carples proudly says he’s ready to play before an audience. But at the dress rehearsal Ronald plays the same song as Kevin, “Canon in D Major,” and he plays it perfectly. Kevin is up next, and he nervously begins his performance immediately after Ronald. He makes a mistake. And another. And another. Kevin’s confidence slips away, and he finally does quit the piano. He doesn’t perform in the piano recital, and he happily plays football with his friends instead.

I can’t overstate how much I love the writing on “Coda.” In simple words, the narrator – an older, wiser Kevin – speaks of regret in a profound way. Most people can immediately recall at least one opportunity or passion we abandoned for a variety of reasons, but life moves on no matter our regrets. Kevin reflects on this, and he speaks about it plainly while his younger self observes the piano recital from outside Mrs. Carples’ house as dusk falls.

“I remember the light glowing from Mrs. Carples’ window. And I remember the darkness falling as I sat out there on the street looking in. And now, more than twenty years later, I still remember every note of the music that wandered out into the still night air. The only thing is, I can’t remember how to play it anymore.”

Other Best Eps candidates: “Pilot,” “My Father’s Office,” “The Sixth Man”

Key Character: Leslie Knope

We all have favorite fictional characters. They can be inspirational, sagacious, heroic… or they can be relentless villains who are just so damn charismatic. In this feature I celebrate fictional characters who make their worlds much fuller.

Leslie Knope may have begun her onscreen life as a poor man’s Michael Scott, but she became so much more. She became the noble, tireless civil servant that the citizens of Pawnee, Indiana never deserved.

Leslie loves her friends, her town, and her waffles. Not necessarily in that order. One of the reasons Parks and Recreation is such a re-watchable show is it’s easy to root for Leslie to succeed. She is the rare example of a person who cares more about other people than she cares about herself. Although she makes plenty of mistakes on her path from low level government employee to federal powerhouse, she always bounces back to being her optimistic, altruistic self.

Her relationship with Ben Wyatt is one of the best you can find on TV. Leslie and Ben flip the traditional gender roles, with Leslie being more of the domineering, type-A partner, while Ben often acts as the emotional support (and eye candy) for Leslie. They’re perfect together, and the show’s writers never felt the need to create cheap drama between them.

There are plenty of examples that illustrate the kind of person Leslie is, and one of my favorites comes from the season three episode “Ron & Tammy: Part Two.” Ben and Leslie are both worried that without police officer support at the Harvest Festival, the important event will fall apart. Ben visits with Police Chief Trumple privately to ask for police officer volunteers, and Trumple immediately agrees to help. He says, “Leslie Knope gets as many favors as she needs.” When Ben asks why, Trumple pauses to think before responding, “Because she’s the kind of a person who uses favors to help other people.” That’s the kind of civil servant we’d all be lucky to have.

Best Eps: Party Down – “Pepper McMasters Singles Seminar”

In this feature I take a look at one episode that marks a high point in a television series.  It’s not necessarily the absolute best a series has to offer (that’s always debatable), but it’s an episode that remains lodged in memory long after I first watched it.

Party Down is a short lived comedy series starring Adam Scott that not enough people watched.  Every episode follows the characters, employees of a substandard catering company, as they “work” an event (to be fair, they do work but they also find time to smoke pot and have sex while on the clock).  The series takes place in L.A., so of course most of the employees are also unknown actors no one cares about.

“Pepper McMasters Singles Seminar” follows the classic Party Down formula: Henry (Scott) and Casey flirt like teenagers, Kyle and Roman aggravate each other, and Ron tries to maintain some semblance of control.  But Constance (Jane Lynch) is the real star of this episode and the series as a whole.  She claims that “you’re as young as you feel,” but she’s also unabashedly disgusted by old people looking for love (or, as Constance visualizes it, “wrinkled parts pounding against wrinkled parts… blech”).  So when her former flame Bruce attempts to rekindle their love affair, Constance flees from his wrinkled face.  But when that wrinkled old flame collapses, seemingly dead, she mounts his body and screams, “I’m too young!  You can’t die!”

Kyle’s revenge plot against Roman falls a bit flaccid, but no big deal.  Because Casey finally ditches her drag of a husband and immediately leaps into Hendry’s waiting arms.  Oh, and thank God for Ron (the second best character of the series).  He’s the least inspirational boss after Michael Scott, and his “straight talk” story about a footless friend only elicits laughter.

Adam Scott and Jane Lynch should get high in bathrooms more often.  That should be every TV episode ever.

Other Best Eps candidates: “Celebrate Ricky Sargulesh,” “Jackal Onassis Backstage Party,” “Steve Guttenberg’s Birthday”